The Cold War's Effect On Art & Design

The Cold War (1950 - 1970) was a balky relationship conceived between the United States, the Soviet Union, and each of their allies, taking place just after the devastation of World War II. This war was said to be like no other as the opposing sides never collided directly in battle, yet the constant threat of even further devastation after the happenings of World War II remained. This particular period was incredibly grim and was central to many major crises, taking an extensive affect on the likes of art and design (especially with the clash of contrasting beliefs and ideology).

Space Hat, Edward Mann (1965)

During this period Futurism, an art movement which focused on the aesthetics of technology, began to influence design - taking a hold of everything from fashion to architecture. This new found theme was dubbed the Space Age, and visual examples can be seen taking effect during the Cold War.

'Oasis No.7', Haus-Rucker-Co.

Although not necessarily linked with Futurism, this installation by Haus-Rucker-Co. features some Space Age aesthetics and definitely has the capacity to give of the theme's general vibe. The Oasis No.7 was a form of pneumatic architect which was a result of the increasing amounts of anxiety over the effects modern technology was having on the environment. This particular futuristic bubble was designed to not only protect its occupants, but nature too.

http://img.timeinc.net/time/photoessays/2008/coldwar/Oasis7.jpg

Another bizarre design from Haus-Rucker Co. was their series of headgear designed to detach the wearer from the real world and change their perception of space. These conceptual helmets, known as 'Flyhead', 'Viewatomiser', and 'Drizzler', were even said to go as far as repressing the senses.

There was also the introduction of new materials during this period which allowed designers to experiment and we begin to see the likes of mass manufacturing come into play. This challenged the traditional concept of furniture with regards to durability, stability and disposability. The plastic chair was a typical focus in the midst of all this and both Charles and Ray Earnes became known for their experimentation revolving around this particular products and the use of fibreglass.

Democratic design was an additional aspect which came to light during the Cold War, and with it the micro car was born. This car became a big part of post war Europe as they were not only affordable but easily and quickly manufactured. The Messerschmitt Kabinenroller of 1955 is a prime example:




Although there are a lot more examples which emphasize the effect the Cold War had on art and design, the ones given vary and compare in such a way that I feel these effects have been represented to their full extent. Not only did the design of things become alienated by this period, but the very concepts behind the work was also bizarre and in a way - genius. This shift in ideas and beliefs, especially within the artwork, becomes increasingly interesting the more time progresses as even now in more contemporary times the designs appear futuristic and ultra modern, living up to what was dubbed the Space Age.

Sources used:

• http://content.time.com/time/photogallery/0,29307,1847017,00.html